What Are The Different Types Of Labia

Review: Shardana - Shardana

Genere: Thrash

Output: 2010 / Self

Type: EP

Abstract: I am not particularly crazy about the metal classic, but this mini cd's debut Shardana struck me very positively! We are not usually in front of the group that mimics the likes of superstars Iron Maiden, Judas Priest, Accept, Manowar, and so on and so forth ... Take off the head ottantiane certain sounds and the ability to "cover band" these guys have a lot to say and we amply demonstrate in their first studio! It took several plays to fully grasp the various nuances of this young group from the kind proposed by Sardegna.Il Shardana can be described as epic metal, but there is to indicate the presence of outbursts and thrash metal elements in folkeggianti massive wall of sound built from 4 guys Sardinians.

Moving on to more detailed analysis, the mini CD Anthem begins with an intro very impressive and varied as the folk component blends perfectly with the metal, in a crescendo of emotion and atmosphere! The play continues with Shardana (Sea Folk), the assault has started! The piece is solid, straightforward, no frills ... Perfect for a healthy bit of headbanging! Tolu Aaron's voice catches the attention immediately, both well-constructed vocal lines, both for its versatility in verses and pre-chorus takes on a tone almost recitative, while the chorus goes to a more effective! The rest of the group is no exception, with Fabrizio Manca and Daniele Pinna riffs that build powerful and evocative melodies (the pre-chorus of this song says it all) and Matteo Sulis that hits hard behind his drum kit! It goes on with Sa Batalla, a predominantly rhythmic song in which the side of folkeggiante Shardana returns to be felt strongly, and the lyrics of this song is written entirely in Sardinian, and bride in a sublime way with a solid musical base, also soaked atmosfera.Eccelso of magic and the detachment after the first verse, with the guitars in the foreground to become ill through beautiful melodies From praise still great job behind the drums Matteo Sulis, which is perfectly adapted to the various changes in tempo of the piece! I also really like how the group comes to the Absolute, with Daniele Manca absolutely remarkable! His style solo in stage is wanted but not "self-celebration" (as so many guitar heroes who go out of fashion), what I like more than a little when it comes to write and perform solos chitarra.Ci approaches towards the end of this mini CD with Back To Homeland, a track which deviates slightly from the previously heard, the atmosphere is gloomy, the pace is more relaxed although there are sonic assault spinti.La song begins gently, with arpeggiated guitars that "play" on two key different before giving space to the keyboards and vocals clear and dreamy Aaron.Successivamente distorted guitars take over, then there are continuous changes of time when Matteo, Fabrizio and Daniele indulges itself, first with the rhythmic pounding and precise, the second with sharp riffs and aggressive, the third with beautiful guitar melodies. The verses are powerful, decorated by the painful and scratchy voice of Aaron, which in the choruses back light and airy. Worth noting is the excellent use of backing vocals, which support the great vocal. Daniele produces another spectacular solo, this time allowing himself some technicality that is suited to still feeling the song! Arriving in The Doom That Came To Sarnath, a song that closes the mini cd of Shardana, you notice that through it the band returns to more solid and aggressive side of his songwriting. The song presents an introduction

very evocative (thanks to the excellent work of the Executive Rolando special guest "The Machine" is missing), with the lower button and Aaron metallic guitars Fabrizio and Daniele to create two-tone melodies different, then when you go to a cut and other changes in the riffs and time bring the song up shades brighter. Soon after came the verse, in which you can hear Aaron literally furious! The pre-chorus continues on the same street, looking strong and imposing, with a chorus to get a little more stringent! Aaron is proving increasingly adept in interpreting all with the right feeling and to create smooth, catchy vocal lines, Fabrizio and Daniele destroy eardrums with riffoni powerful and evil while Matthew kills with a double box (note the blast beats per second chorus)! Beautiful solo of Daniel once again takes the right feeling and properly tapped his playing technique, despite its fast hands slide on his guitar, never exaggerated and can understand when they can afford to play in a certain way.

A mini CD ended, I analyze another point that plays into the hands of this young and promising band Sardinian produzione.I the sounds are powerful and clear, kept to the point giusto.Il all sounds modern, but without that artificial touch that characterizes most of today's musical productions. The guitars always feel good and are not covered by the battery (as happens often lately), the voice is just as well put in evidence. The only negative neo sonic demo is down, which I find it hard to emerge in the wall of sound Shardana ... I am fully convinced that, by lifting a little more in the mix, as the work of Aaron the bass would have helped more! Another thing I want to point out that the band is, in my opinion, sometimes not very well have been able to structure a couple of their pieces, in Sa Batalla not convince me as they are tied to what the chorus is just before , while in The Doom That Came To Sarnath could be made better in some passages several changes before the first verse, but this does not detract from the good to have created the Shardana! In conclusion, I highly recommend everyone to listen to this mini-cd: those who like certain sounds will have bread for his teeth, who does not go crazy for this kind will give him a chance because it could be pleasantly surprised!

RATING: 8.5/10



Tracklist 1. Anthem (Instrumental)
2. Shardana (Sea Folk)
3. Sa each boat
4. Back to Homeland
5. The Doom That Came To Sarnath

Manuel Palombi

Component Cable 1080p Xbox 360 Zune

Review: Ancient Dome - Perception of This World

Genre: Thrash

Output: 2010 / Punishment 18 Records

type: Full-length

After the excellent

Stillness Blade for me here is another way out license plate Punishment 18 Records. Honestly: not reviewed a disc of heavy / thrash for a long time (despite his youth hangs out for a long time in the webzine) and the Ancient Dome made me rediscover this genre back in time. As mentioned earlier the kind played by the young Lombard is derived directly from the 80's thrash with a few appearances in the classic metal (you can see much influence in some maiden riff). Nothing to say on the execution, Our know how to do and show a considerable baggage, Paul's voice is powerful and above all perfectly in tune with Amalga and other instruments. The parties to pull and more thrash reminded me of early Metallica and a note of credit goes to the full-length songs that have impressed me a lot with those formed by intro hypnotic arpeggios. And "Confused Certainty" which, in my opinion, is the centerpiece of the lot, showing all sides of how to write a heavy metal song. Of interest are the two instrumental tracks. The only flaw is that something that could be "heard" but it's better not to care and enjoy this beautiful work.

RATING: 7 / 10

Tracklist 1. Intro (Mission) (Instrumental)

2.

Liar 3. ; When Day Dies ...

4. Predominance

5.

Perception of This World 6.

Confused Certainty 7.

Dream Again 8. Gordian Knot (Instrumental)

9.

Face the Facts 10. Collision (Instrumental)

11. DevastHate

Salvo "S."

Penile Cancer This Morning

LUNCH: Immaculate eaten! Comments

Good morning, like every year for the immaculate (Wednesday 8) plans to organize "lunch com" at home "imperial" of Osnago, like every year I remember that as the mega 200-room Imperial Palace has not yet final places are available until sold out.
The menu will be as always in style "Monza"

• cured meats
• Lasagne (made by lina)
• Polenta with mushroom / sausage and / or gorgonzola or if I "casserole"
• Wine & Beverage infinite

Contribution to lunch: € 5 (all you can eat and all you can drink).

ps: It is not included in the ticket the cost of health care to food poisoning;)

Pulmonary Fibrosis Life

Interview: Rosae Crucis

Who answers and 'Andrea' Kiraya "Magini, founding guitarist of the band

Hello Andrea, thanks for accepting this interview for us is a great source of pride and prestige ... to break the ice how are you lately?

's an honor to answer your questions. How do I spend? Boh, pissed off about how you're smashing the shit I'm country, hungry for music, with a great desire to play, and a crazy desire to enter the studio shortly to record a new album of unreleased, perhaps by combining with a passion incazzatura for the music to pull off something important ..

recently came out on the market the "new version" of "Faith-Power-Vendetta, one of the most important points of your career at the record. What answers you got this new studio effort? What consents received so far?

Overlord is the edition we can say that it was just a hard . Not only do we re-recorded all the voices, but we also rerun from scratch mix disc going to grind some production problems on the Italian version, and did a great master at the Outer Sound Studios with Giuseppe Orlando (Novembre, Airplanes of terror).

The disc is willing and if the reviews were talking about a partial view because of the texts in Italian (we speak of foreign reviews), now we read that many are appreciating the work done. Although I must say that certainly in some countries, the comparison between the two versions has meant that we began to prefer the one in Italian, most notably as the product. However, the reviews are excellent.

Joseph was difficult for the English rendering of the pieces? Of course, singing in Italian, emphasis, pronunciation, and maybe even a more marked degree of interpretation, make it more "catchy" .. Do not you think that you could gain further appreciation abroad, but maybe losing here in Italy because of this choice? We know that fans are quite often intransigent with regard to the news.

We worked hard on this so that it is too cold and too impersonal as an interpretation. It took several days to record all entries with the right intensity, and the work of translation and 'went on for months.

I think the issues are perfectly symmetrical, and the translation 'was inaccurate in the metric so that after a while the pieces are similar and recognizable regardless of language. As for the fans, and 'always a great slaughter. We are a band that divides the opinions .. those who prefer English and is afraid of texts in Italian and vice versa ..

This When in doubt, we have satisfied everyone. For the next work we will see ..

course in English, the music stands out more because the text flows more easily and you can 'pay more attention to the instrumental part.

In your text spoken almost exclusively in your history, dealing with events attached to it. The question is this: the same Rosae Crucis would exist if they were not born in Rome? And 'no doubt that your city of origin is always for you, very inspirational.

Shit reaches Marzullo Even so J heheh, no, we say that we are not with your heart in Rome, since we are from the province. Surely the whole history is full of energy that fills you and not to be influenced and 'practically impossible. But yes, for how we live the epic in general, and the way we write, as also from the readings with which we like to pass the time, surely we would have been the same even in milan .. Inspiration Roman was born almost by accident, however, the concept of Worms of the Earth, which really has the whole story set in Hadrian's Wall, located between the Britannia and Caledonia, and then we talk of Scotland ..

Want tell us how did the collaboration with Chris Boltendahl the Grave Digger?

The Grave Digger has always been a of our favorite bands, and just for fun, we came in contact with Chris through common friendship. We have thrown the stone, but we hoped that Chris was not interested in cooperation. But he heard the piece and after some initial doubt (thought of having to sing with the same shade of CIAP), has adapted the song and the vocal lines work very well on tests. It 'been a great ... It' s a professional who loves Metal and showed us that in every way. This collaboration was one of the many dreams of the drawer that slowly we are doing come true ..

One thing I've always wondered .. How did your collaboration with the Dean? I guess it's a bell'orgoglio be selected to represent such an important brand of guitars that had among its ranks, and still has, guitarists worldwide.

I wrote in the journal of reviews of products by Dean Guitars, and I fell in love. I did not think I could love it so much .. I immediately contacted the Italian distributor, MKM, the official importer of Italian and Dean DDRUMS.

are a company that understands that the products are made to turn on the Italian scene so that people have the opportunity to hear real opinions from people who actually play them and see them on the stages of our own ..

They have proved to be extremely available to the collaboration, and now begin to have a good roster of Italian artists, which brought together under the name of the DAD COMPANY .. The artists are not just endorsing, but co-workers. We are looking for when you need to help this company with demos, clinics, concerts and support, and they are meeting to our requests. This example should be followed by many other companies. The partnership makes good products get the right visibility and artists get a hand at a time a little sad for the Italian economy.

Can you tell us something about the next movements of the band, both live and studio key? Going on a proper tour or do the individual dates, however well targeted? Some time ago I read a statement where you said you carefully selected offers that would be placed before .. We must provide for a future Rosae Crucis in the studio and on stage?

live and unfortunately, the situation is' dire .. it goes on with very few serious promoter, little result, few places and a lot of decent people who play too much .. The economy does not turn, no money, there are Italy and 'an expensive country in which to move. We have no big budget behind it, and then we find ourselves forced to consider targeted dates, even in places where we never played, or where we are sure to have an adequate public. We hope that this situation is only temporary, we are not a studio band, our true and size 'on stage ..

What do you think are the factors which do not allow Italian band, and tri-color metal scene in general, can make the leap to compete with the rest of Europe? Although in recent years the scene teeming with bands (some of them very good) that is always missing something to make the final decisive step .. While we are wondering what are you in your opinion the 5 best bands in Italian move and what to watch for the future.

big question .. time ago I wrote a thing on our face book, my personal situation Scazzi live in Italy, from the perspective of a band that is not 'over teenager and beginning to have serious problems to move around Italy .. I did not think that Scazzi personnel could have a lot of resonance .. ahahah and 'was published by many webzine, with comments ranging from support for the massacre. I think I've said all there, but certainly the situation now and 'changed for the worse .. until last year when the first one could move for reimbursements between 300 and 500 €, which allow you to have a van, pay for highway and night for the band, now the situation is' this: the dates are getting worse and the promoter or local governments have begun to offer less and less ..

When you see a band bring € 100 for reimbursement to play at 500km from home, the band that lives to be 600km from the same locality and says, "if they from 100, I come to for free ".. because both between zero and 100 euro refund the difference and 'practically nothing .. We're getting to the point that while the first one paid for important dates (the famous and outrageous pay to play that everyone is doing to grab tourne European dates and important people, but nobody talks about it) now you get to pay for playing in the pub .. Understand that this factor, multiplied by the fact that in Italy all have at least one band, has completely flushed the underground music scene and not only .. Put that those who make the "musician" has by nature the unhealthy idea is not more metal listener and not going to see more concerts .. what do you get? A country of musicians where no one goes to see the other that sounds .. the few remaining who are just listeners, they are ashamed to be from the public, because they are found in 10 ....

Italy lacks respect for his country and its people. We are all angry with someone, we are all separated by fringe political, religious, cultural, regional, football and other bullshit .. and you forget that in principle we were just metalheads ...

Band I love Italian .. Always follow the November, which I think one of the highest artistic representations of this country, regardless of the kind that play, the Stormlord, the Holy Martyr, domains, DoomSword, the Necrodeath, the Schizo, bulldozers, and many many other bands .. we have tons of good .. I met him last year, the subhuman and I can not help but listen to Deep Rozzo .. and 'a masterpiece of disc ..

Keep an eye on all those bands that if they toss cock fashions and play what comes naturally to play .. Do not watch? All the band as a cover band .. starting there 'nothing to do. The attitude of the cover bands do not you take out of the way ...

We talk about too much of the outside world, although personally I feel that the flag scene is plagued by large internal cracks, and by rivalries and jealousies competition in the negative, and for that I mean who cares not to play more than others, than to promote their band to where ...

ehehe but if each label has its own festival what do you expect? Everyone is playing his own band .. if there are spaces you create them, but then you manage them like fuck you think .. and 'normal. We find nothing wrong with that.

The xenophilia in Italian, not 'many,' ABSOLUTE .. more I read the fucking forum phrases like "I'm strong to be Italian" .. Series: Italy come forth only great shit .. This way of thinking and 'deep-rooted and will not drop anything unfortunately. It 's so always around .. in film, literature, music .. The only thing that Italians are proud of, and 'the football .. The important thing is' Do not touch those 22 balls overpaid revolving around a sphere .. I repeat. All that we are making as a country from the crisis, total cultural impoverishment, we deserve it .. For the rest great rivalries I've never experienced. I am in contact with so many bands emerging from the most famous and I must say that if you can 'help you all.

Do you think the most successful band of musicians have to do something to make available more and not only young, and the whole movement, their experience? I give you an example, in England, Barney of Napalm Death, has formed a sort of union / movement where other colleagues of bands, famous or not, meet regularly to discuss different problems (always in the music of course), and seek solutions to rectify them. Do you think it conceivable such a thing here? Who would entrust the task to do this?

That union had taken into consideration by me and I spoke last week with Matteo Buti of Subhuman .. That would be crazy enough to see sti .. fucking shit players who complain because the state does not give him the money to FILM OF SHIT do boast that they are the soul of Italy .. The soul of mortacci them .. I do not think any Italian band has ever made a record with the help of the government .. If there is a product you do so at their own expense and under its own .. If the state decides to help cultural development, it must do with all .. not only with opera and with 4 players sfigati.Qui and 'full of hippies nerds who have no money to be produced discs that split the ass .. What do we do? We do review and then I'm going to block all the streets and concerts to the sound of Breaking The Law and Aces of Spades?

But in Italy will be burned alive at the second event .. Let us remember that we have a political class that constantly licked the walls Vati-dog search of the Holy Humus with which to purify their sins ..

If you really had to choose a union driver for this thing, maybe I would do to boh AC WILD bulldozers  I see there

Thank you very much for this great opportunity and I would close you making you the most difficult question. Have a question that you wanted to respond, and yet I will not have done ahah

Azz this and 'the worst question .. as the topic you wish to matriculation exams (where obviously I had not prepared anything, being too busy with the demo of the King of the World). ... So they can not speak of Foscolo, boh, instead of the question, I can tell you that in Italy in midst of so much shit people are wonderful people who are worth more .. And they are all important in this fight against the impoverishment of the brain that are trying to get .. We try to support the Italian metal, the real one, that valid, the original .. Beware of imitations and from clones, and given support, with the presence, to your favorite bands .. And to all young people, and new band, beware of those who promise you heaven without going to hell .. It's all sweaty and there are no shortcuts .. When you are afraid of the idea to climb over everything and everyone, you are buying the soul ..

FAITH POWER REVENGE

Interview by Federico Falcone